![]() ![]() ![]() The great enigma set up at the start of the book has two really strong resonances for me.įirstly, it feels like the written counterpart to an immersive theatre production – something like the disorienting alternative world of The Drowned Man that sprawled through the massive Paddington Post Office sorting office in 2013 – a series of unexplained vistas and art installations with scenes unfolding that had their own internal logic from which explanation was withheld. And that enigma drives the reader on to find some sort of answer, following the central character’s methodical hunt for the truth about his world and himself. What is this bewildering world which gives us no clues to its meaning? Is it a metaphor? Are we in some strange psychodrama? Is it simply the hallucination of a madman? And if not, what, exactly? The early sections of the book circumscribe what we know to the limited experience of the narrator, the strange hermit-like Piranesi who believes himself to be a child of the great sprawling and impossible mansion that is The House. ![]() Susanna Clarke’s Piranesi offers us a scintillating glimpse into a world of strange magic, with its own rules and internal logic. Piranesi… an extraordinary journey deep into the labyrinth… ![]()
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